NOVELLO'S ORIGINAL OCTAVO EDITION. ACIS AND GALATEA A SERENATA IN VOCAL SCORE cowroseo i mE YEAR 1720 BY G. F. HANDEL. EDITED BY JOSEPH BARNBY. Ent, Sta, Hall. Prlee, in paper pees aa LONDON & NEW YORK NOVELLO, EWER AND CO. dition, 18.ACIS AND GALATEA, Vistceloand’Ban!s 3 8 "Tu ene Engh ao German Wor (Germas Tsdet Sey Ht, ‘Seger Parte Sere Fan tho “Te Astin Accompaniment Monae. Sere (Bol ond German Wor 3 ‘The Alii Acres Miwon Wiicn nie So 2 BER re Wied area,PREFACE. “Aas aso Gatarma appoars ta have been eompored for the Duke of Chanios about ‘the yenr 1720, and was performed at Cannons in the yeas following. ‘As in many of Handel's works which vere wiitlen about this period, the disposition of the chorus parts is such as to warrant the supposition that the ehoir bo bd to deal ‘with was limited in its numbers (there being apparently no Altos), end oxeeptional i the compass of its Tenor voices. hie conjecture is borne out by the fact that the ‘mission of an Alto part, and the division of the Tenor into two ox tree part, is ‘common to nese all the works which Handel wrote for the Dake of Chandos, but is found in seareely any, if any, of his eubsoquent compositions. Tewoula be dificult otherwise to-scoout for 9 unusual ax arrangement, although it might hove been supposed that when his eounection with the choir at Cannons ‘caesed, ie would have rearranged the vocal paris end brought thom more into con- omnity with the requirements of ordinary choirs. But it would soem thet when hir ‘attention bocame absorbed in the produotion of his Oratorios, be lid ss the smallea works of tho “Chandos ” period, aly tsking thom up to trausfor » movament whic ‘ight bo roquirod for the larger composition thon in band. This, however, would not account for a work of the importance of “Acis and Galatea” being lot in ite cexcoptionsl ateto for if tho size and attractivo nature of the Serenste did not claim ‘ovo then ordinary consideration at tho Bands of its composer, its performanes in ‘London twelve yoars Iator—presumably with « chorus not poreessing the peculiarities of tho Chandos ehaix—would appear to hve demanded some revision ofits voio parts. Nothing, howover, sooms to lieve toon dono in that diteotion—if we except a ponsillod momorandum by the composor on tho Ist Tenor lino of * Wretelied lovers” “Ths part in Contvalt."—until about thivty years ago, when an equelly sough and sendy oxpadient was adopted by the Handel Socioty under tho aivice of Sterdale Daamett, vis. : to give tho ist Tenor lino of neqsly all the choruses to the Altos. Tt snoed sonsealy bo aid, that as the sage of tho xemining Tenor parts enincided almost ‘oxnely with the one treneferrod to the Altos, tho diffcutias could only be regarded as rwitignted, not removod. ‘twas plain—aul it must havo fovea itself upon the attontion of those who have Aosta ite performance, ax well a8 on floss singers who have beon condensed. to ‘wrostlo with its wellnigh impossiblo Tenor parts—that » moro radieal and rystomatio vensmigement was required, to place this work upoa an oquel footing with others of its class, ‘With this desire alone iss the presont edition boon prepared and published. In alition to the occasional transposition of voieo parts in certain choruses, ‘the Editar ie rowponaiDlo for much of tho Pianofovto aceompaniment, for suggetiod ‘lravietions in the Airs, and for the marks of exprossion throughout,ACIS AND GALATEA. CHARACTERS REPRESENTED: CALATEA, « acts, = A Ses Nymph. Asha Chors—NYMPHS, “A Rasal Propet, divert Seas 4 sip. 4 oie DAMON, . POLYrititity’ ‘hx SHEPHERDS. fed with rock, grove, anda river, Part the sist, Chore of Shapers, 6. Qh pleat pan copy ona tad tay eae Harmless, ery re, ed 63) ‘ance and sport the Bours Sve), SOLI avo CHORUS. Fos u the zephyr blows, ‘avast he dow? ors gold the roe “had owers diaplay this hue: ots toe winter din ieramthe mmer hing "nd eaturna bleeds the viee. RECIT.—Gelate, Ye verdant plane and woody montas Follng sidan tod fnbthog octane? elated gate of the sl, ait are th plessres ich ye yield. ‘Too thte the thadow ofthe gore, ‘Too fait the gles col my love. AIR, Hush, ye protiy warbling choir, ‘ous heling eins Awake my pains, ceitblinae bree dns, ase our song, and (aks your fight, Blog back my Ato my night. AIR—Adi Where shall I eeck the charg fir? Dizse the wey, lund Genius af the mountaes ‘Gute me you uw my deer Sele ake Gig groven, oF bathen in crystal fountains? © RECIT~—Dasvon. Stay, shepherd, stay See ow thy fotia in yonder vale What mente this melancholy a No more thy tunefut pipe we es. AIR. Shepherd what art thon parsing? Headles aoniog'to thy rin Share our joy, our pleasure share Leave thy passin til tormorrom, Lette day be fre rom sorrow Tre fam lve, and Fee from care, RECIT—Aat. Lo! ere my level ‘Turn, Galnten hither tara thige ey ‘See, at thy feet the longing Acie lies AIR. Love in her ees sts laying, and ate feos death re i her lps snp, “And warbling in her breath ve on herbs cin peting, Pade mls cof det ‘Beet the heart on Bees RECIT.—Galate. © aidst thou know the pains of absent love, ‘Acie would ne'er from Galatea ove. air, ‘An when the dove laments her love, “alvon the naked spray Wien he retin oe ore abe mourns ot loves tho lveong day. Biling cooing, 6 Panting, woot, Melting marimar fl te grove, Hfelting marmar, lasting ove: DUBI—dcis and Galette, Happy | happy! happy wet ‘Wa ys t Fel Mowe charm Tee Oral youth, thou dearent boy! GF ai nymphs ow brightet fet ‘Thou all my bles, how al my joy ctorus. Heppy we, &e., &e. Part the Seconv, horse of Nympie and Shepherds, Wretched lovers Hate has pant ‘Thin and decree" Noy sal lst ‘Wretched foverat quit your dream, Bete the maoater Pole Seo what ample strides he ta the mauntals ned the forest wake! “The waves run feighten'd (othe whores? Hark! how tie thued'ring giant roar RUCIT.—Polyphenas. Lragect melt buen ‘The feeble eod has mabi'd me to the eset ‘Thou tasty pina! rap of my golke wept T lay thee by Heing me a hundred reedn of secest gzowthy ‘Tomake a pipe for my expscious mouth In voft enchanting aceenta let me breathe Sweet Galaten's Beauty, and my lovee‘Than moonenine Sigh, Ripe aa the melting cluster, Ney has such Tostre; Yet hard focame As raging tame, And force as storia that Blaster RECIT.—Polyphemas. Whither, fairest, art thou running? Shitty warm embraces shunning? RECIT.—Gelaten ‘The lon calle not to his prey, Nor bids the wolf the lamblia stay. RECIT.—Polyplenss, “Thee, Polyphemus, great a2 Jove, Calisto empire and fo love? “Foie palace inthe roe, ‘To his Sairy to his Bock ‘To the grape of purple hue, To the fam of glocey bie, Wilding which expecting ttand, Proud to be gathered by thy hand. RECIT.—Golets OF infant limbs to make my food, Salo a emg of umes ott Go, monster! bid some ether guest; Tiathe the host—T loathe the ease AIR. —Polyphenus. ‘cease to beauty tobe suing: rer whining love dedating, Lat the brave thee alsa pursuing, Selb cona'ring, not complaining, AIR—Damon. ‘Would you gain the tender creature ? Softy, gent, kindly treat hers Sulring ie the lovers part Beauty, by constraint, poceessing, You enjoy tur haf the bleesing— Tifelese charms, without the boar. RECIT—Aeis, His hideoos love provoles my rage Wenkget ao Fos Sopa [ThE god of ove will lend his arms, am. Love sounds alarm, “And fear ie eying, When Beauty's the prize, ‘Wat morte fence dying? In defence of my treasure 1 eed at exch vein, Without her no pasar’, ‘Por life is © pain. AIR*—Damon. Consider, fond shepherd, how Beetiog’s the plese “That Hatters our hope in pureuit ofthe fairs ‘The joys that attend by moments we measure, Bal T 'c ie to hensreoar Care RECIT.—~Caletes. {Gest O cease, thou gentle youth ‘Troe my constancy sad train Teast my futh, and pow'rs above, The powers propitious wl tore PRIO.—acit, Galetea, end Polyps, “asin, Gelatea Tue Gack shall eave the mountains, “Tne woods the torte ove, ‘The nymphs formic the usta, Eee tore my love! Polyphemss. ‘Torture! fory! rage! despair! Tanne, eavooh eannet beat Adis, Galaten. Not show's to lark so pleasing, Not sunehine tthe bes, Not sleep tol s easing “hs thee dear amen me. Polyps, iy swt thou masay aia Oy Dis, presomptows Acie! Sle? RECIT.—Acis, Help, Galates! Help, ye parent gode! And fake me dying ' jour deep abodes CHORUS. Mourn all ye mutes! weep il ye svaine! ‘Taney tune your seeds to leu trina? Gronaa, che, and howings Bil the neigh¥rag ‘ioe, Ant the gentle Acts is no more ‘SOLO (Galatee) avo CHORUS. rushed ch that stone? Mat the lovely charming youth ‘ie for hin constancy snd ath? Say what comfort ean you Bnd? Por dark despair derelauds my mind! (CHORUS. Cease, Galatea, cease to grieve Bewal ot when ho eat rene: ail forth thy pow'r employ fay act ‘The goddess aon can heal the smart: ‘Tolndced gods the youth return, ‘Thro! verdant plains to rol hisurd. RECIT.—Calates. + thus I exert my pow'r divine Be thou fmmortal, though thou art not mine! AIR. Heart, the cost of sft delight, Be thou now s ouneain bright! Parple be ne more thy blood, Gide thou Tike a crystal oad. Rock, thy hollow womb diclow ‘The bubbting fountel, fol it ows ‘Through the pains jay fo rove, Murmaring al hi getle love. cuorus. Galats, dry thy tears ‘Asis now a god appears. ‘See'now he rears hm fem hie bea! See the wreath that binds his head! Hall thou gentle mormuring sires Shepherd’ pleasure, Muses theme ‘Fheoogh the pisine stl fy to rove, ‘Murmtring all thy gentle loveen. 12. 18, u uw w " 38 yw 0 at 2 29 a 2 26 BI 20. 80. ‘Soprano Soprano Tewr anor Ter Tenor ‘Tenor Soprans Soprana Soprano and Tenor Bau - Bass - INDEX. Basa and Soprano Dass - Ter Tenor Tenor Tenor Sipreno Soprano, Texor at ase ‘Tenor Soro (Soprane) ax Crone Soom - Cron - Roms Am Am = Reorsaniee - An. Recrseewn ~ Amo: Recrnve Am == Der. = Cuomees = Cnonus == Recmaren - Amo. = Bvoreanaee + Aue . Ae os Tucrsuve + Am os: Amo: Boceranva + Bao ++ Reomsre + Cuonvs- = Raeananve = Am ose Cuonve- = Soprano Suprana PART L. 0 the please of the plainn == Yo venlanb pling =e ‘Trash, yo protty watbling choir - ‘Whore sll T sock tho charming fair? Stay, shepherd, slay = == ‘Shepherd, wvlit act thow pursuing ? Lot hiro mylove === Lovo ju ov oyos sity playing O aida thon know « : ‘As whom the dove lninonts hor lovo + Boppy wo = Taywe + + eee PART II. Wrotdlad towne 2 ee Lmgo,Tanelt, Loum = 2+ Ovuldior than the chosry = + ‘Whither, feivont, wet thot rmning ? (osso to boauty to bo aulng =~ ‘Would you gain tho tondar erosture ? Mis hideou love +e Tove sounds the alana = ~~ Gousider, fond ahophord - = Cans, cease ‘Tho flooks shall Jouve th mowutain Ubly Gute see ‘Mourn, all yo Btason =. ‘Must Lamy Aci il bemnous? “Twdow = ee Hout the woat of sof delight later, dry thy tows 0Na SINFONIA,ant Ata Gala Bor ad Oa Hales,SSS ee TS ftp pe mes ca iecae. deta At en Gan" Hora itbeal, = aSNo. a hones —"0 THE PLEASURE OF THE PLAINS.” © te ome ct Gozim, tho plan, sn = dhe lee tha pain, ‘teu, sn x ie = — np OH io tp, The plans, BS aS Oe. plemuoof the pal, te aw, ase nese ENTE E Ss — oem za 2 UR anda “Ae ond delatn”-Morte, Ree ad Ga Oto Baton)It Sornano. so genta © te waze athens to nant ep 7 main hp ‘he plese, O the plese of the plans apzy nymphs ani hap 77 ewain bap-7y, the pleasure, O the planaare othe plang, Happy nymphs and happy sans, fap ‘he plearare, 0 the pease of tbe pking, Happy nymphs and hep-ay evans hap oy, ‘the pleasure, O Ge pleasure of theplans, Happy nymptand happy smog = <>, ap = pry bap + py yan appraymptsandbep-ay emins Esp pr bp - Py armpbyhappraymalsandhspy ening hap, "py, hap pr mymphs hap-py nymphs and bap - py swaing, bap-P, mp phan maine, apy, prepay, tmlcs ——5 3 A Ae xd Ona Novel, ean Cn tr Eo,A t - ap-pyapmplaaadtap- pyswalas,Q tho pleasure of the hap- py, bap-Pynpngha dba yy sas, O the peso of the ‘ep-nyapmpheandbp-py eval, A (tho pleasure of tho © tho plore of tho 0 the pears ofthe © the pease of therghit & 2 Sore. SS SSS lain Heprynyopbsned hepy_ stan, Harlow, ai, Hprynvinivand feppy swabs, Thanos, mery, im = - ye = SSS Se poy aymiteand Fap-py_sviiny Hames, ery, ane las er merry, free = ny, free Md = pee ee = spor thvlears away, Lara, = — deggeand spor thehgise- roy, Harel, = ae SS aerate le pei eee ee ‘tens “Acad ae" —3or Ee ak 04 Ostaro FOSTT essmerty, mer ~~ myyfrweand gay, ffoeand gay, foe andy, ery, farm lem mer ~~ my, feeand gay, fon and Gy, teeand gay Po a Hy bam = Tos, mor-7y,frand gay, fre aud gay, fice and gay, meray, bariles, met ~~~ py fegennd gay, flen and gay, free and gay, Donen an sims ae ry mer + ag fieeand gay, feeoand gn, free and ea, ‘thebows sway, barnes, port Diohours away, aem ~~ aS or @aacoand eprt thehosa-vay, Inia, ——— =: =EeRe: eG SE Ee [etexenag, ¥ Danesand apo, + dazcosad ert tholousacvay, inom > = zee. saiEas see andes At ud Onten”—Novet, Ener a on Ot it= es; mersy, bara, merry ten aDdgay, toe and exp, fenand ey, Tess meray, hanes, merry fee and gay ‘vest yy = ste mer = “Se arnif, mee, fece ating, tee and gay, frend ay L ‘reoao guy, Danceand You ese yl mere a sy, at Tes, mer + + ryan, me, 2 Dagee and spot, Tae Roars say ares, cand at 5 ‘Davceand ert ss + +» deand sport... Delows avay,inm-as, ‘Danee and sport wer ss enseatd oy he owsa- way haves, nseeanl sport He heusa-way, harm es, outs Acted Gane "-Mor, Bar on Cn ctr ain, >1 & 2nd Soma. 2 mer, freeand ay. ay -F, sroand ay, sg ent, =e ‘eer and ey, pce ad 7 thesis Way, Tgnaios, ner, barn, er, Tes andgay, Gncsand Ber hapless meray, feeand py, Gana sort te hows pet tbe haus Toor the hea (= & nai tas on WTR18 Ze™ san, Far w thengigriiom, Forw @iuls the ° E 7 = Fre arial eoeee Saat ——— Tore af @ == 2 ae ‘ds thr tke dew, HC uy nis Cho rae, —Anldow oly their or ss unflds Shore Mh Bowes. . aisghytiaie Farag, Gti tie dow, Tad owe. «apa thlr Sirs RE he av, FT Ol Wn mae, aor x 2 _— \gul Bexa, .. Tis Por w tewin-tev mun, Por ur ge thing, Sprogewalls for ws the 2 $ 2 oe FE oupnce, [Vga Andectas eds de vq For tow tas maiy For us te sommes ras thewin- ters ain, Wor us te summers or ws the Yor we the ammen ‘For ws tua vin- tes Tin poo £oTS ba ee SSS shine, Speingswells for ws the grin, And eutamn Bleeds’ the vine. SSS 3 SSS Sin, Singers eg And anon “Tn” the ve = $+ @. S| Thine, Sqaugeyslsior us toque, Aud aitunm Uleels the ve SS Shignhin ete pte and Sinan w= Iv ——— Sot peg 1a SS ee ee Prd anti” Aaa Oaaten Noro, Ever snd ox xe Ea. De.‘Rec.—"YE VERDANT PLAINS.” Gacarea, soma, ‘Ye vor dent pens, and weod-y montainc Puring samy, and bubing Tousisns, Ye uinted glosien of theteld, Vain are thepleanerwhishye yield. > fa = [SS SSS | ISS in” Gecha-ow of thegrvg — Tiwhintie eg ‘teal ay bre No. 4. Aon.“ HUSH, YE PRETTY WARBLING CHOIR.” Soran. Paavo, fm———— May Al ad Calta", Ba au C's Ota aonFaby yo pestys rtiy warbling smakemy pais, your tiling steaina somakeny pink & nda Aland nea "—Norh, Bao: Otro ten,your ig stain wake my rains, ‘le fos de+k ay ahh biog ack ay f ‘A. = cit to my Sight, Case your songandtaks your ight, ‘gts, Trngiackny A ds, Se “Els pang may bo eed by bgnng he wept niga * and ang i 16 baw abwoen Go nt "nts sen ha" oves Ener aC star aon,No.6. ‘Am.—" WHERE SHALL I SHEK THE CHARMING FAIR" “Lavy Largo r lc: ae L Fra ss iil ie =“ = SSS ee Se eee SSS ‘Whereell T aeck —thachamiog fae? Dist the way, Kind Go-nius of the ponies tie Sey Sea ees ss = = —ES — SS » ete Sa aes ae I. $: ee = E a : $a i ata ay 2 Wowsitat T wai thedhwning i? Divot to ares os a _ iat Sees ag f P SSS SS aewhereaallY sek the harm - ing Dizeet the WF, Hod Greg ager sad’8© onan. as eiseecmalggit ge ss ee ‘Haste Ads Gnaen Hop, Ber ote Honear, Sooke abe he groves, erates ia. erys-tal fountain, ota ‘ojtel we i gonear my de, Beaks abe he i ‘roves or bathe incre own lo °F Tin faving at tare of Spapny may Bo clRec. —" STAY, SHEPHERD, STAY." Ne Z No.7. Au.—“ SHEPHERD, WHAT ART THOU PURSUING?” “aadane. ‘Taxes == Andante, uso. . T oars ™, mans "Tad Olen” Sora, es a's cao Bon 88)4 Sse 1 Digs. ‘Shep ~ endjwbat——attoupursu = ng, | \etecreeeag iA ep ~ hevlat —_—attthowpur-me~fng?Mfead = las = wing to thy ~argdharo our “jy, our ples = areSears our J T= we share, ol joy, cur ples - ur aba Tadeo aie" orl, Bee a On Oclae Bon7X sare thy gat - slow til #2 - morsom, Tet ‘oom love aul fee To ion no tn ee : “ye "Th loving ni oi «hal bara of Spy may be oni nda At nd Galan” Norell, are o's sao tenNo.8 Reor—"LO! HERE MY LOVE.” Seo at hy tee, the” lenging A- cs Len 1 ther arn thio ee No. 3 Am.—* LOVE IN HER EYES SITS PLAYING. a tr owe Ea ss aw. pa Tove in her eyes ile play - ing, And chads do-l - coudah; Love == SS TS == SS SS Se SI anda "Act nd Guten "Norn, Eve nd CoO Bio ~28 inher pe Se Famy tng, And warbling inher Beth, ‘Dove in ber lips is sony ing, And ward «Ting in har breath, here ‘in ber eyes sits == - poe = =e SSS Paying, owe. tn Bereye alts pling, “And seln do-ll = cous deh, ove her oye sis Ha-isg, he a Her oot ae ‘dn Al Ganon "Wor, Be end Oa Ol tonsnd mend = lig ber ent An and Galt”, Eo and Ce ae Bae,ela with soft de-aie; ras, moda want nN > fey, no charm in Want ing, To act tho ‘heart on fir, or 6 Th long de Lre of Bppony may Ym ol, ‘Wa Ad Gata" oyna o's sae aeNo. 10. Surmaso. Prax. a. Aun.“ AS WHEN THE DOVE LAMENTS HER LOVE." Andon. Gata. Sorsan. uno. da. vents Tee Tove, All cn the om = hol ey Whea bog 7 pees e “Ths loving 4 ty wy be liad a he Da Cope. Ai ad Ganen”- ov vem Gh Onane Hon —(8.)‘uma, 0 more, shears, Bat the Blog dy. ‘Ar hon the dove Ik-soenta bee y4 4 a a ad Tore, all te Ss kelgmy, Whe bem ams, 90 more she meas no Mada and Oata"Nov ro Casta Bain,m0 more she mourns, But Inve, bat love the lireloag dy 23 27 Sanaa Ate an ata Noro, Bran Cot car BS,Panteing, woo - ing, i - mus fll the grove fog a ma, une Ate i Glten—Woras, Der nC. Otro Ton‘Melt jog mur - mars ll the grove, Met-og “FT fing 19 Ba aye one and Alan aon" Noves, Br 204 Cte EonNo, 12. Dose.—" HAPPY WE." ‘ap ry bape ra bap =Dy we.» bop pybap-pYbeD 7 Tap ~ 1. bap-Dylmp = BY A Banta" lOateSoyal, Her aos Otae Bton 58)ap -pidap ym, yoy30 (OF all nympssthou brightest fe! Senda Acad Ganea"— Nora Bra at O39 Oto on,‘Thon al. ES (Of allyouth hewdonratbay Wiat dara. Tess = a iy thea al. my..joy thew iad a nymph thoubrightest fir! Tho all. . my. Wig tow al. mysie, thw fn SS SS—s ey Ms tim yi! a. ay. Bis hon al - ayleyTWo. 18. Cnonvs,—" HAPPY WE." apm apts Pa Tape bap FR aE re Tap = Hy, Bap re Bape we, ‘p= Iye bap bap es Tap =p, appr Dap- PF ws, [pape ee eee te tee tee tee PE See é a — =z =e — =a ae wei eT ———_—— Fie Sees z mgt pre Wath teint 7S SS ee Se Se Se aie eT eaeee Sepsrstetperpteretersr Bias Pp re -_ Seo Se SS Se SS alate Acad Gala-—Rorl, Beers Co: tar ton)Wisi Tort ‘What jogs Wit jam What jos opp apt bao Hhap- by hap -y, sp =, appr lap-W bap > Th ‘Hap- 1s ho = th D5 na 2 ee and alates "sors, Bese nd x Getao Baton,‘ist Game I. est vhateharms Tea! Bap- py. bap ap wise Gianoe Tel -Rhlgp tn bp = py ‘apap EG ia = 1 Tapa, bape lap - wy, BP onaby taf AD We bpis ep «Tgp 7 Top lepers lap = oy Ny nda Aten ses "Nore, Brera CaO En, -ENDOF FIRSTPARTPART THE SECOND. Not, Cuones.— WRETCHED LOVERS. A tome ordinera, Auxo, ie roa, feu! fate Dasyt thin ad de-cvwo: No joy ehllat, no moa ‘taeon, oy = em! fate Ponpastii sad do crea: No Bass. Bua. Ja. Soy hal nets Ballast, 0 Jey hal ast, io io y ‘tendte "Aas Qanta Nal ar and a stv Baton 46)ato as past tis sed do-c1ee No Joy shall last ‘iss de-eee: No joy all st put than de - ae: ‘No sey shall ass 2 2 Re ‘it your dream, Wieideed lor - ern, qu yourdream, ot6 ait. your dream, s+ =e galt your dram, qt yourdream, ult your dream, a ‘wetch ~ el overs, wiotsh = olywicth-ell lov - cayanit yonrdram! Be or + quit yourdream, wot -el tov com ult your dram t wrech ad lov = lov sor gut your dam! Ba quit your dean, vwroteh = el lov =e quit your dram 1 _ te +s quit yourdroam, quit yourdream, wrotth - ol Iv -er, quit yourdraam! Be B. aid 04 At naten” ors er nd Ota Bao,i beheld oy ‘behold _themonster Polyphase had thosaba-ter Po eh, al, ‘eel, Ear eas Bal tana Fly, Soboll aecate P= S phame,,dhemanatr Popbabe, the mos-ter Poly shit, hl ® 8 Baa fosena a Pune anion Polpheme ibid omeantr Poly pean, riciphensheheldthemonsterPalptime, themantarPoipheme, the monster Pay ‘b-bd ‘eka thomentorPolyphoue halt moawlarPaly- ads Asa nd Gaon Nore, Evers Oo: star ata.at, SS ‘BomoastarPaypbens, ‘eotay deesoh Oana eee ol Cos Ose Hon. ~ phone, ShemonsterPolyphene, lononterPoly-phens, Gremander Tolono, temontr Peiy« ‘2 ae!= piety, Meeltthe monster Po = y-pheas Ye-holdthe monster Po - = Bold the mona, iL, j2ttnoen, lhe mae ‘bobaldthe sea - sar ‘hone, bolt the monster Po - 'y - theam od Dy * pla bbl onealr Paya eel ermal Poly ans _——— eae ‘bli themonserPeypbomsbbolithe ona Fo ‘eld tense Pepin bole rotee Pedya a ees ‘bel Tomenar aly me, bon Qo msater Posy ee “es aldtbomeni Palins, (Ie & ana Sorzavos, (ara un, bald themonstorPolyibema, weet jee men tn =e pert OS eSphen, _thomoosifr Poy - phen! + phemgpetld themonstarPo ~ Iyphems “ream fred the monaler Bo-Iy ~ phenol > plas, the monrer Poly - pbeme! peeae EE ae one = = aa ria eae Soar Spee =e ees = eae Sea ae ‘ols, ‘hotest sas, The aoant a ee sta Aaa ian "Nove, beeen Ce sae Bon.Bae = ex rontighto'tte the Ss Site ama es Towibethinding givant "eam Towiheihundang i-aat rea, Tboribetigafeag gant ron, D> age rar,Thee, —_bowibethand'ing gi - ext any Dark, ‘bes, Towthetbanihng giant mars, Tae —Towthotjindng greta, Yow Bo Gnunding giant reer g. SSS Ta stat Asa and Ott.” -Kovi, Hou and Cas Ota tonPouyrane, 2 Adagio, g Fores , Tash, Tham, Teste TE, Pare. Tmetabidime to he heart. ‘Thou trantypine! Propo my goliko em, ny theo Wy! Bing ma a hundred rods efdseotgrovih Tomakes pipe fr my ot = Y z= = Adagio «ian, ae Sates =] fff. a ot eneantlag scot lote Beste BocetGadato'beany andy ea idon— 0 BUDDIER THAN THE CHERRY.” Ategrs, Reurrgos.a. & ‘0 rvdiiertna he chery (0 rier than he 2 ‘© sweeter nthe bey 1 Aero. e = - = Pe bef oe et ie ing in Pig etl eeeeee oS eet 2 nt —_—_ f- leet ECE ot 2 $ tom Se see a (0 aympb rcretright an moarhice bight Like lngybitoandmer, edrvery, Uke Kaingshitheasdmery, 0 berry! 0 refalertnthecberry! 0oo = = = = wisi Duma theburiy! 0 nuddertbanthecheny! 0 swottr tian thebersy! 0 bet (Gta = a mofo * f Le se See Sarat SEE SSS ES eget Eee = * as tee, tO > SSS {andr Ae alten "Noval, Ber nd a Oca ena Ripe as Gomadting cas-te, No U-ly bns such lustre, Yothurd t tame a ‘nonetaneAviteeerstortiatiwetr, Year fo tae sa mp SagfamaAndtece te Moron 7 ee - pe Se See ie £PtR o> e ot tetes == ~_ te, Yet lnnd_to tame ag rag Ing) flamo, And farce ts eaten ee oe ee aa (0 radar Can th 2, Ds. ‘Want At and Gates, or aed Ga Cte Barn,NeW, Regn WHITHER, PAIROST, ART THOU RUNNING?" Ee et = Gaara. Yous “Whiths, fi-es ar tioa nnagi Selly warm embraces Stnaing]™ he Ie # Box Hot fobis pay, Norbidethewelf thelanbhin stay. ‘Theo, ody phemus, grat as Jove alto em pie and Tow; To bis ja-lam in hoo, Dy Ha Gay, te heck, = ie ape? pur pe Hoe, To Bo plum of ger =o Div, Willing whichex pecbing tnd, Froalta lo fs Feber by fy bond OF dant inky lo maory food, And as ‘osd! Go, monster! Wavome o-tier gust; ‘leat the bart; ‘Tlowtho tho fot fe> ‘abd Aland Gatatn”—eva, Ber nd Cs Otro Eon 8)Ho. 18, Am.—“ CEASE TO BEAUTY TO BE SUING." Aegan. as t. ee Gere to bemty t-te an tag; V-e@ whining ove die er=er whininglove dig dainWe Win ~ ing love de om = fg Bv-er whin - ing love @is ~~ dhin - ~~ Td. adda deesth ada Ad naan "ort a 2 Oo Boeing, er - whining lowe ada Aa nd nea” n't Ota Fo.02 be ‘iL be con ~ qu, not be ‘il, be eomgong, not com-plala “+ Tis Arig bo sorbnd by aliing tho Eling SE bar and easmnsag dal eno,No.19, Am.— WOUED YOU GAIN THE TRNDKR OREATURE,” Alege ‘Pevon, Alege Wogld yor gains the t= der ama - tue? Sot - ty gem ~ My Bad = ly twat ery anda Acland Oltn"-Moyae,He anOnk Ono ZUM.~183art ‘Weald you gin the nd-Iy tat be, idly, teat bee, SOE!-vng Deh e-ees pt,Tee chara with out the heart a= Sag, Tite ~ lee churns with-oot the bear 2 Do. No. 20, Recm—""HIS HIDEOUS LOVE." Hin ideoos lve provekermy mage; Weak as I am, Peano. f Tnspifa by thyvistovius hae, ‘Thoged ot loro willendlsaras. tao Galton" —3onl, rand Oca Ban,No.2. Am.—“ LOVE SOUNDS THE ALARM ‘Ton. SS Pax, Ans Tovoscanéstta- arm... Iovesoenls Warm, And sud fear 5 By-ing, ‘At the Da Capo, ee 15 bar flowing this spn maybe omit,cy tener ney ‘When bunts the za when bawtys the prize, What mor fers ay-ingt| = ss ‘when bey te ze, What or-talfoae dy- ing ‘What moc ea tite 0p -ogt t Galan Naya, ron Ota EloTovesoundsOhi-lam, And fer ie a = By Torasounisti’e- fae Tove sounds this - lam ‘Aad fear fe w= play, Deaniyt te ele, What mor ales dying? ‘When basa-tys the Z ‘an Ase and Gaaten "Novel, vt so Oto Balen‘prize, What moral fears dy-iagt ‘s-fecce cf may ‘tean-tae TX Weed at uch ven, Without © pein, With-oat er m0 ploe-aze, without Blase, For lg iseNo. 92. ‘Am.— CONSIDER, FOND SHEPHERD." Langs, Lavy, Daw. (Con sid ex, fond shop ~Berd, how oat ~ ing. tho pea sre, That ant Ase and Otto, read 2 Ooo Hon — C1)‘ab-ten our hope, in pur > sit (Gon-sid - er) fond shepherd, ‘ng isthe * Te allowing 9 bars nay bo ald ian Da Oapo. ‘ena At an Gatto, Her aC Gtr Elen‘Bat Aut term our _ boys, In pur st - tem oot eps, Sm pur. sat ofthe "Tie flong 6 Ware may to nite ae De Cope oka Ata ad Gaeta” —oa, Ever en Ct sao alton,if, by momenta. we meane, —Butlfe. ‘Tho joys Bint ab = tent ~ in, foo lt - to ws. mae ~ wroour aare, : " De. “¢ Tov fining 99 bars may Yo ome1 98, Teor —" CEASE, 0 CEASE." ete yout Pasa JP oo Se 2. =— Ea — os == a ‘Thepowers prop oueell fo Tova “Drst my trath, andpowersabove, v cy ~ - ve No, M, Taw. —" THE FLOCKS SHALL LEAVE THE MOUNTAINS.” 1 Andante cee, Voss Buse Gana, ——Phefockahaliewvetia inne ee andre" Ag ant Gaetan Nowe, Evers Osta Dalen) .6 ‘mowinias, ‘Thewcodsthetinle dove, Thesyphafrskethe toast - als Ere fer- ake my Tore, Theforinchalleavetbo mountains, Thevoodsthoturdle dove, ‘Thenyaphatorauetbe ‘Thefocentalereshemontang, Theweedsthe turtle dove, The Toot, Be Tem I for-aako my levy ayepiefasaa teasing ry T fae aylong a T ean y oe ‘Mane Aine sian” oval, Bou an Ca¥ Oe Een,‘The docks etal leave the mantels, The ‘loke sal eave the mowmtane, |The ear, T canot cannot tea, I eat-ot xnast be Ter tue! fey! ‘rode tho bir = tle T earn, eno-nct ber, T cana, exn-not ber. Ny Hooda Alen Gelaten" oa, Eran C4 Cer Rion8 ——————— Le eat sqpessteps Tair, Tcanmoheannotter, I canacheunet bax, Teansotean-not bear, I ean-not i Be cannot can nol, can - not ‘tots Aad On” “Noa, vera Ge eo aon.Not seep fo tal ao eating, Atha Two, Not sleep hee dex ales thew dese svi, Chou mary sain, Ay, y,Goumarsy aia, fy, thounnsay rain, 5, + nde Ase an Ontg"-Nera, Hoe and Co Ot Hen.Gis, premmplnous Acc, le, presumptuous Aly die, di, i,gretmptucus A-clspre- 1 St = aap fous Ao, do! No. 36. ‘Reor—“HELP, GALATEA.” we ants “sno Oaatn "Noval, er Sed Os Otao Ban.No. 98 Gaoncs.—MOURN, ALL YE MUSES.” Atesio Mouriall ye “Mowroall yo sau = ssl vee alle or . Moumall Moura 7° “Tang tine your Tang ine your ‘Taba fe your "Tana ane your eae ti ie dale fa arn) ial sina? ‘deaf ‘a es! woop lye ava! Mavrnall yo mu ~ se! wep, all ye wv = TE ssl weep a ye ‘aie Gale t ‘fi atin ‘ar ates, ‘Huda Ae aod dala", Hunt end Co Oar lon) ‘ete joor eal ng fae joa ane tan your reds ‘aaghuse yearned =Tom ‘orl iss a co “Thencighbingshore, 2 in, eth ‘aN Tenet cc Thonehbving hors, < ohn. z SS Thenagavingtin, yap Ai — aT fi ehendatiing ‘more, Oroanasass, and Bowl = ings = SE ne, Cesc Tings fil eenelghing el ni . a rans, ves and howl - ings Al the meghring r= =SSeE roam aad ow ~ lags A thendghibting en ‘Grom ca, and Tov ~ Ta i ‘rotcyeriey and owl = dogs Greaesvian end howl = age ‘Groans crise howl — lage L ane" ae ot naan" Nor, Err ad 4 Oe Balin,“enegiangsboe, the gate A= Gis bo nie, eneghbvingsboe, fe gente hensgavngators, he gentle Sy _encingsos, ‘and howd tage fromm, aie and Mm - ies (ai ‘snd bowl Tansighbvig shoe, Tondgabwetlis, ‘teneigab Hag shove, onesie hare, j‘Bani At eo Gt —tovs, Bernd Co One Han,‘be = meat that stone, ert = + Meneath tat ‘dete “Alen Galatea” on, Praca C's Otro Basen 8)cease, Gieln TD + a, mse to mas, Ga-ln-te =a, cate to grav, cease, ala te-"b, couse to otf son Coa, feats, Ga-la-te 6 eine trie a e we (con - ‘eats, Ga-la-to = a, cnee to 2 ‘wo moan, In «glo ~~ sous eral, w says, a-ln- to = 6, cote t» Ea ‘ono, Gala to = a xa to mv ent, Gan ta 0, comme te ‘Hunde Alen Olt" Movel, oer and Co Ot Ble,cease, Gacla-to~ 6 case to gor, ccs, Galata = 0, cater to gore, cease, Gala-te - a, case to ies, cme, Ga-ln-te- a emso to gree, i i erubidbe neath that ats, in = glo = rious cri be ‘bowl not when thow canst re-live, SSS S55 omit not when thon canst re- ew, ‘Booval not when thon cast se - lor ba. wail not when thou nas r0-Tive, ‘be-all not when thon canst 8 Tia, (rove, Booman when thaw canat re ‘e-mail notwhen thon enabee- Hor, ‘glove, Becwalnat when thou cans 2 ~ lier, ys pd ol.‘hatstne? Mustthe love - ly charm - ing youth Dio for hin con = when thowcanst ye Lers, ‘wim thoucanst 12-lieve, ‘whesthonenat live, ‘whendoucant x = le, (ass, Ga-lito somo to grove, cao, Galata - aoa to gleve, Gove Gesteten sent ave, cme Gaeta hao, Goa to 8 come to grave, cue, Galt = cea to grieve, (ous, Ga-l-to~ scone to grave, cue, Gaeta - a, coe to grieve, t iodes "Ao Onna —Mov, Hv on‘ Otavo Roncease, Galatea cone to give, nae, Ga-i8 -%- a, oxtse to ree, ais, Galante =m omtso to grove, ‘nas, Ga Tete - a, couse to grieve, 9 = a, cease to gen, =a, erase to gro, a ems to ger, = cose to ger, ‘Bowalnot an thoucanst yo-lave; Callfrd thy pow's, emplay thy arti ‘The ged-eae Bo-wallit when thou GlGat ro ~ eves Calforththypow’'s, employ thy ants ‘Bema aot whan toa canst 19-lleves Cll fath thy pow, employ thy ert; The godeas ‘Beall not when thos canst re ~ Leve; Caferth thy pews, empley thy at; ‘The god-dew0 ar dak des SS fam, Kindred = ‘gods theyouthre-tnm, 2 Iindad == Eee ols thoyouthro- tam, t2 Kieded pots Ja‘oyoudresura, Thr” verlant place to roll hie ure, To Kindsed gia theyStthre- turn, Thro’ verdant pineto rell is urn, To Kindred gods Theyouthve~ ture, Theo! Verdaat pana fo roll his urn, To Kindred” goa Theyoushre- tam, Toro varia pane voll his wa, Tv Hinde god to indeed gods theyouthte Osi, fo’ verdant plans to roll to Minded gods theyoathro tar, ‘xo! verdant pens to rll ‘@ Lindl goin thoyeathre- tr, They vida por © rol ‘wo kinds gods heyouth ve tna, Thay veraat pina o voll ‘he’ verdant psi tro verdant pain to lio! ver ant lai fo ‘he? ver duct plaisn to i ane anon Bis um, bis um, iu, i, a \the youth re = farm, Thr’ ver-dant fhe youth FS = tare, Th” verdant Tee youth fe - ty ‘he youth Te > Ta, Plains to roll his um, thre’ verdant plstns to IT shige fo ral Min ur, oo verdant pains toll isin to Fal —Mis Urs, hr’ Verdaat plats to a Pins to voll bis wro, tho! verdant plana to rll ay te "Tae “At and Galten."—Rovel, Fore and Cas Octave ton.No, 28. Recez.— "TIS DONE." Gata sonwo. CESS pa Bi “Miedone: thus I o&-ertmypowdivine; —Bothoufn-neralth’ thoaartzotmiae!| fesse == Ww Puxo. 1 1 we Sea aes == —o e te No. 20. Au.—" HEART, THE SEAT OF SOFE DELIGHT.” Pun. oe oft 8 = Tight, =p. adel" Ao a Gtatan—sor, vrs exe Ban)Tete theacat of ere Slit, Bont" Aee an Gen Noveo, Ewer an ov ea ato,low womb ais The de joys tovora, — Marm’-ing stills gua Gelore, Tiegh te ‘Mada Ae and GalatenRore eran Co: Osae on,Sormavo. Aun, ‘Teson, Cnoncs.—" GALATEA, DRY THY TEARS."‘Beda Ae nanan "None, Beer anda sto Eston,Sain ag sam, ura’ = ring steam, mani ng Ara, P= tig oa, Ao ac Ganon, Evora av eae BatonBiep bers? hep hes hep her? ‘hep her 200 Teri ples a, ‘hop- ben poas- we, ‘hep-Berds) pleasure, ‘hap beri a ples ure, mu =~ a theme, deport plas = LT mu - se theme, shepherd? as ‘me ase thane, sbephor Tien = > ue, mu, ‘hee, sep herd? ‘mi sor theme hep herd ms ae howe, shop bord "mu ea thane, abep Lordi! ‘mu - os? theme, abop- herd Pr 2 Sort, eC Gti aon.‘hroagh the ‘Tori the athroogh tae Through the nda Aon ned Gunten”—Mo Fr and Cas te Eenilygen ~ We lve, Slop tnd? — plow Tove, Sheplers? ple Tore, Shap lara plow Tors, Ehop = herd” plo108 mre, ie. Ae, i 8 we, iy == ang alll. thy gon - Ue Tova, mura-oing sll ~~ Hagell]_thy gan to lovg aura -ving al ‘ty gen to love, mura tll = te Tors ame rng ll jd Zi 2COMPOSITIONS BY DR. STAINER. ST. MARY MAGDALEN [A SACRED CANTATA ‘Fue Worns coverup axp warrran ny 71s Rev. Wistras Joux Srantow-Sspsox, B.A. (Courosen ron rite Guovcesnen Tarexsras Pesrivat, 1883 ocad Score, Bee, 28. Paper Boards, 25.66. Scare Cloth, 4 Soba Bil THE DAUGHTER OF JAIRUS ASACRED CANTATA (Coxeosnn ron ze Wonceston Truswwian Pesttvat, 1878) Vocal Sear, 886, 1. 6d. Solfo BAition, SERVICES. I ANTHEMS—continued. aye arg in Can of Onn, in (Wen) eis SOFT canta spe tne ya oye Breet za cmmenin coi ii | res Beyond We Rie ce ond loa ot GLEE FOR iste ives | po ORGAN MUSIC. insist ose rea 0 Tian) LONDON & NEW YORK: NOVELLO, EWER AND CO.COMPOSITIONS JOSEPH BARNBY. THE LORD IS KING (DOMINOS REGNAVIT) PSALM XCVIL. Couroseo vox Tuk Leeos Tsiexniat, Mostcat. FEsvivat, 1883) VeeatSeora, 886 1.68. Paper Boards, 2, REBEKAH A SACRED IDYLL IN TWO SCENES: ‘Tue Woros warrrae ox Anznun Marziitox. Vocal Scorn, Paper Cover, 18. Paper Boards, x. 62, Clith Gilt, 2.68. ORIGINAL TUNES TO POPULAR HYMNS FOR USE IN CHURCH AND HOME Tico Votumet, Cloth Gilt, se ech, or Sityfouruparatemunbers, each 24, SERVICES. ANTHENS—continud 7 RE Neiag genc ae Nae Gis We Voc Eeerehcuae Sai eg oe Fe Beet dts Ringe sam etnies)” ageing nih ren ernates [Benge ore heures aa enna esses, ee Pt ove, ut wert | + ‘THREE TRIOS FOR FEMALE VOICES Shp we tyne fe oe THREE ORGAN PIECES. reget Date eae Yaa [aey ay Ansar Gru ver nt lor Pt tom LONDON & NEW YORK NOVELLO, EWER & CO.PRODUCED AT THE LEEDS FESTIVAL, 1886. THE REVENGE SET 10 THE POEM OF ALFRED, LORD TENNYSON C. VILLIERS STANFORD. Vocal Score, Octavo, paper cover String Parts oe Wind Parts Full Score oar (In the Press) (othe Press) ‘THE TIMES. If “The Revenge” does not become widely popular among choral societies it will be to the lose of those societies. DAILY CHRONICLI A work for which there is a widespread popularity in store, DAILY NEWS, In a word, Mr. Stanford has written a vivid, powerfol, patriotic, and masterly work of its class, which has commenced what must prove a long career of popularity ‘THE GLOBE, ‘The work is full of beauties from beginning to end, and will greatly enhance the reputstion of the composer, who directed this performance, and af its conclusion was, twice called for, and greeted with enthusiastic and fully merited cheers, ATHENZUM. ‘That the work will be immensely popular with choral societies and the public there cannot be a shadow of a doubt. YORKSHIRE POST. “We think it may safely be predicted that this choral ballad will become & favourlte study with provincial musical societies. LONDON & NEW YOR) : NOVELLO, EWER AND CO.NOVELLO’S ORIGINAL OCTAVO EDITIONS Oratorios, Cantatas, Odes, Masses, &c. FRANZ ABT. Hanerier ea Sonen (Sn) The itven coup’ aie) W. CROWTHER ALWYN, as, F (Latina Boga ‘THOMAS ANDERTON. ase stanat waren. *STORGA aus, nee wnvor ACH Tm Le cn ar Pe weiareamare = > See at immaned'e aaernt®, =: WANN Oop ME ese? J. BARNBY, RERBKAR Garr 9% - THB LORD RING Gri Pmim JF. BARNETT. {THE ANCIENT MARINER GoUrn 20) BEETHOVEN. THE PRAIRE OF MUSIC won ENoubI, on Davin nina’ widosiives: Base Bee fons Eowiohin Senvioa;i "LS Sia. ax Drva THe Vocal” poktioi sn cuoRit Hanrasin freee As ait oven, ner "tao0 2 i ie ie ie a io ® oe ws a is we # w» is is i FLUTE Sss8 SS 1 a8 = subrssssser WILFRED BENDALL. {TE LADY OF SHALOTT (Feces) 38 SiR JULIUS BENEDICT. sn - ‘Dit LEGENS or S. dlonia saben 2 SIR W. STERNDALE BENNETT. “THs way QUERN (Sarre) e Fie Wows oF Gonanis Gente te INTERNATIONAL RuGDITiON ODE oiin W. R BEXPIELD. J. BRADFORD. W. F, BRADSHAW. oasran weceaRt a as J. BRAHMS. SONG OF DESTINY a ne we a JC. BRIDGE. pasta ea a0 J. F, BRIDGE. ROCK OF AGES (atinend Bog) (Soun4O8. 3 Nous wna" Se 28 Bowes OT a DUDLEY BUCK THE LIGHT OF ASIA = ~ EDWARD BUNNETT. (UF OF THE DEEP (ys Pan) wwe 3 ARIST. IRPHTHAH we FD. CARNELL. surextearton ow ae GEORGE CARTER, SINFONIA CANTATA (uth Pasa) a9 WILLIAM CARTER, PLACA “ aa CHERUBINI. REQUIEM DAS, ¢ WIN (Lata agha)— 19 EESowp waas,iN BuO 3 HRD Mats (Conomen, @ FouneMassiwe Oe 7. CHIPP. Sout not FREDERICK CORDER, [THE BRIDAL OF TRIBRATE SIR MICHAEL COSTA. F. H. COWEN. SUBEPING BEAUTY (Seem41 W. CRESER. BUDORA (Adama 49) 7 ‘W. CROTCH. PALESTINE ie 38 wie “NOVELLO'S OCTAVC EDITION OF ORATORIOS, &e—Continued. Ww. H, CUMMINGS. w.6, cosnis, sepeow ots Féuicien Davin. se maser qual van 48 P. B. DIEMER, seme PIER go MB DooRLY. | vag, ANTONIN DVOKAE Dero epansot Ment wi BR Serge” Seman od akties Wil) sansa Tiazgn (Omen paree eee) Be SX it 1 Ses ara kin et 3 ‘AE DYER sauvaror WoNDE a HENRY PARNER ass, mem FLA Hesin moe Bap ae AO JOHN FARMER, ceompennta (andy op © MYLES B FOSTER, sue axguts oF THE Betis fouls. 18 {His aya Stonives faa) Be NIELS W. GADE. svete ocr ag EES SADE ae EeaneSweehASb son diy a ERLHNO’ onde cena AR ERE cxdtacinsfinshapy Saniatnas ie Genicom mie HENRY GADSDY._ np oF nee irs eeu mH Wea aeons 8 Sottnots ions STOR smn suunaanarre © OAREERE a0 AR GAUL, passion srnvice “OAV ag SO doen a THE HOLY Ca¥ Sorc = ae BR, GEaNGHETC souanus, A RGR TERS ee sus romp of punuetad SM ® 7. B GLADSTONE, unsere oa “swe, oneness acuity. 5 aa HERMANN GOETZ, By tue Warnes OF BABYLON Gait Fala. ese tovitng SH ete £ oa tient e & & z & E eo ee arsoat ngek oo Sg oo eer SER SS og ' 1 ngs ngni noe 28 aeteas me na 1 ‘ set 2 prez Bk uu yaa 1eEESS et s c,H,onaux pepagwon on ook iSite sa 1g, om00. se sonnei EPH ay ase ewes ie Eieet S Zliks HEB SD DDS SER DeLsHAzzAR cS ae THE MESSIAH, wich ¥ nwa THE MBSSIAN, adie WT Bee a a | Seance is UTRECHT JUBILATE 2 ae GokoNATION AND FUNBHAL ANSuEUS Or way ‘rae xING siact REIORE 8 Sirneamrig morro” | ae Ene tiv wax ba SuaiNaticeniéD “Ge Fhe wavs OF FIO ve augsaNDURS Peasr ole AeisiND cating i 31880, Rew talon cl Bani » one on st. cect ban - 1 iAtveane oc Donne HAYDN. THE CREATION (Sotnu I mem HIE GEEATon fasatbates” Le MEseaONs ee So Lae ‘ack Suton itp mast hace iS rat aay ZS ae ‘Die (ae aadzetany 3 SeconD Mase 18 6 tase) ne in Sn Ss Gara tal egy 1 suermew yi ase cata n, gi SRE ruahony OA Mav agro cP ‘ee DUUM ogiah aed tat nee Mean eet vane cme Give). ST aM EDWARD HECHT. aioe rier Dan - me Shar jon rie ondin veins” uoRoE HENScUEL, (OUT OF DARKNESS (th Pein) sw 8 HENRY HILES. FERDINAND ILLER A Song or Vierow se m8 ar i) SeREEEseeteesezassesseses B) Buseegsseesesesagsse: eet ee rou n eee fe Serr ie Stezesrsse uNOVELLO'S OCTAVO EDITION OF ORATORIOS, &e—Continued. H. B, HODSON. HEINRICH HOFMANN. SONG OF THE NOS Fomais wise ST HUMBEL. hon inoue ew) : F ILIPFE, St. JomN THs DIVINE. Lon W. JACKSON, A. JENSEN, , WARWICK JORDAN. sennoss. sows is 4 vxevadi aera 1H, LAHEE, ‘Siro Senn a LEONARDO LEO. purr powxus —PONARDO © = H. LESLIE, F LiszT. pwonownpa ©: ELOXD. [THE LONGBEARDS’ SAGA tie view) W. H. LONGHURST, ‘re VILLAGE Ath G. A. MACFARREN. SONOS IN A CORNFIELD (amaleoicm) as soLorils uilcact (open : ‘A. G. MACKENZIE, Fee ani Gees So ‘THE ROSD OF SARONiGou7s 98) MENDELSSOHN. aoe ERM = See oe ca eee SE aa eee Hae ERIS Seat 25 5S _ssgeee Hil Ea ae ae 2 & ® ne cp Rt els 1 SB8E8e SEE5S5E5 8 1 ap ie 2 2 aees rece 1 wes Bike 1 888 sis Fry 1s s Has manoatssons—coinu, HE Mebunasares ere ATHALIE (Sora, 10). ee inition) u ‘6 ¢ & eal oo IE ta aS aoc CMe nator TSE Sea a AVE MARIA Bor dosent tion MEYERBEER. SINBTWCHIASE PSALM (ati) Boo Eagan) MOLIQUE. ® 2 o 8 & & B 2 & o “s & “s % a Py “ u tse 88 1 1 8 s aozans. xg manos ~ eae = = Seatac ats aa crown One tt BCH ra ial niin nek aw azantt Se vanratbier stuns gy EIANIAZE Yanentonr shexsunr 5 See nines tae ‘Gtomr, HONOUR, Pua ‘Si DR. JOHN NAYLOR. 11) S88BE511 81 ‘Segaeeeseeesé pene Ne oe = = REY. SIR FREDE. OUSELEY. ‘Tm MARTYRDOM OP ST. FOLYCARP.. == 88 — — RP, PAINE, ‘naz pnoprcar sow Mee Guear is Pu LonD noikot PALESTRINA, Missa shew aaneecer wor . HL H. PARRY, SUBST PAIR OP SIRERS wm. B= = Yarasones . 20 2 2a oS thomtases Uso Tap DR, JOSEPH PARRY. SEDUCHADNEZZAR ue nem = 38 48 Bere ean OO 1. a, PATTISON. up ANCIENT MARINE - as fie EAPoF mae base marae “ToS PERGOLESE STABAT MATER, Fomevlen) . {Go ziNsum, 5 1‘rum goon sunritens’ NOC*SENO, pravan anp eadise SND ROGERS, ROMBERG,_ ‘rap Lay oP mun DBs Mer Bate, aed ie ay J tro 5) (sso ‘TRE THANGEAT AND HE BERN "> Drea Sonne at ROSIN ankle le FREEDOM ~ 2 a QUEEN AIBEE (femle voices) SS a roneput BARTIMEUS, JB BRAD, ue SEER ain driiaiee 2H fev noaenss sont ENS FOMRREE ag “ « Be SEABAT MATER (Sour) ” Noses ih Bovey = 6 c. gamNrow-DoLY. FLORIMEL (rem ve e! a CAMILLE SALT saliys, ‘rie weaVENS DuoLARE COL! ENARIANT Cotas a ae scHUBERT. ass, a ruar SAUTER COusivwion service ave: ee eran” SONG OF MIRIAM (Soir, Ot) SoH ‘nue wexsraeus vig AN Moxos keguigie Patabise ano the pike Fides ort nose. Mose AVANT irae is tote Gorm New YEARS s5NG orto 1, ScHUTZ. ‘re PASSION OF OURLERD we J. SHORT. vans (sso aT SEOR E, SILAS. Mage =~ eo B. SLOMAN, surpticarion axp FRAtse x avgifaan fener JHE DRIDE OF DUNAERRON Germ)“ S55 85 2 s SEESERSEE SESESSsssteEs 1 SrSr 5880S ISESSSESESRS rier S8ri6 nigiesire er aousumroy. HH ge sso ooncap MEO OS ALICE MARY SiITH, Ba mote an a - = OBE TOME PASSIONS ee sPOHR, nenspmemmciin og = > Et eae bag FALL OF BABYLON SO Dap as se Bemawtel a 2 2 TREE ieee sate Sei Sua = = ol stun, PAU gonwe” So ERS SSwENaMS) oT TB SS we STEWARD cone SATARINON 1 sromen sa oon ~ mee sc. suet (60D ts UN REFUGE ah Poin = nw ss SEQRUP EN dou Suwa 2 Baw wo nanion sx jon one rele Egg = ‘gon Hour, sax so. HE ay ar raneon 5ETMEyg ha sn cecnna paras an ae i wna renown PEE ween wes meget. oi Pe eee To Reins FEST wun saws, oumo, snout os. Fionn Wonca ssn 2 SRO LONDON AND NEW YORK: NOVELLO, EWER & CO.VIOLIN AND PIANOFORTE ALBUMS. PRICE TWO SHILLINGS AND SIXPENCE EACH. + No. 1. FOUR MARCHES MENDELSSOHN, io.1. WEDDING MARCH. wh 5: CORNBLIUS MARCH (0 08) wh fe FUNERAL MARCH (0 0) BERTHOLD TOURS. “No. 2. THIRTY MELODIES BERTHOLD TOURS. These Me matin tre arly rin bo ain he hort VIOLIN PRIMER. No. 8. ‘TEN TRANSCRIPTIONS FROM MENDELSSOHN’S “ELIJAH” BERTHOLD TOURS. WAR MARCH OF THE PRIESTS. "No. 4. TEN TRANSCRIPTIONS FROM GOUNOD’S “MORS ET VITA” BERTHOLD TOURS. No. 5. TWELVE SKETCHES BATTISON HAYNES, “No. 6. HUNGARIAN DANCES SIEGFRIED JACOBY. No. 7. NINE MORCEAUX pe SALON IPPOLITO RAGGHIANTI. #No. 8. TWELVE PIECES OLIVER KING. * These Albums may also be had arranged for Violoncello and Pianoforte. LONDON & NEW YORK: NOVELLO, EWER AND CO.VOCAL ALBUMS. MARIANI. ‘TWENTY-TWO SONGS. (Ital) BEETHOVEN. SONGS. Vol. I a 6 STERNDALE BENNETT. TWELVE SONGS. (English and German) we YO GEO. J. BENNETT. TEN SONGS (Robert Burns) ... 2/6 TWELVE SONGS Shelley and Rossetti) a 36 BERLIOZ. SUMMER NiGHTS .. 38 BRAHMS. TWENTY-SEVEN SONGS ... 1/6 E, DANNREUTHER. SIX SONGS (D. G. Rossetti 2/6 FIVE SONGS (W. Morris)... 2/6 J. W. ELLIOTT. NATIONAL NURSERY SONGS & RHYMES. With 65 Tus, — R. 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